2011 Conference on International Opportunities in the Arts
presented by TransCultural Exchange
April 7 – 10, 2011

Conference Overview
Photos (Flash) Attendee Reviews Success Stories Press
Survey Evaluation (PDF) Registration
Schedule Agenda-at-a-Glance
Luncheon Table Topics
Conference Sponsors


TransCultural Exchange
516 East 2nd Street
Suite 30
Boston, MA 02127 USA



Mass Cultural Council

Asian Cultural Council

Boston University
Mass College of Art

Boston College

MIT Program in Art, Culture and Technology
MIT Program in Art, Culture and Technology

School of the Museum of Fine Arts Boston The Art Institute of Boston SACI
Danish Consulate Boston
French Cultural Center
French Consulate Boston
Ghoete Institut Boston
The Consulate General of Israel to New England
delegation du quebec

Embassy of Sweden,

Swiss Consulate Boston

Swiss Air Lines
American Air Lines
I-Park Foundation
Art New England
Berkshire Fine Arts
Irving House
Harding House


Conference Overview

TransCultural Exchange: Where Art and the World Convene.

Marek Bartelik, President, the National Chapter of the International Art Critics Association and Greg Lindquist, Editor,The Brooklyn Rail
Marek Bartelik, President, the National Chapter of the International Art Critics Association and Greg Lindquist,
Editor, The Brooklyn Rail

Portfolio reviews with Hanneke and Karol Fruehauf
Portfolio reviews with Hanneke and Karol Fruehauf

From April 7-10, 2011, TransCultural Exchange hosted its 3rd biennale Conference on International Opportunities in the Arts: The Interconnected World.

Speakers representing more than thirty-five countries spoke about their residency, networking and exhibition programs for emerging and established artists, critics and curators. Sample panels included "Researching and Applying for Artist-in-Residence Programs," "Funding from a Funder's Perspective," "Art in Public Spaces," "Integrating Art and Social Good" and workshops on grant writing, how to digitalize your portfolio and copyright issues.

Among the highlights were Sarat Maharaj's insightful talk on the meaning of Trans, Cultural and Exchange, Studio Urbanos' overview of their work, Reif Larson's exploration of books in a digitalized age and a panel on the role of art criticism today.

Also offered were tours of the Isabella Stewart Gardner Museum and MIT's Art and Architecture Program, a book-making workshop hosted by Harvard University's Cultural Agents Initiative, a reading program at the Boston Public Library, sessions for musicians at the Boston Center for the Arts, a gala sponsored by Boston University, a concert of new music featuring Beijing's Timi Emsemble, experimental films organized by the Goethe Institut and an exhibitors hall.

In addition, speakers and invited guests met with over 200 artists for one-on-one portfolio reviews. During these sessions, artists presented their work for comments and advice. As a result, six months out from the Conference, more than 75 artists have been invited to participate in an international program or exhibit.

For more information please use the links on the left.

TransCultural Exchange would like to thank its advisory board, whose time and advice have proved invaluable: Ute Meta Bauer, Mario Caro, Machiko Harada, Kayoko Iemura, Jean-Baptiste Joly and Johan Pousette.

TransCultural Exchange also offers a special thanks to all the Conference volunteers and sponsors without whom none of this would be possible: Massachusetts Cultural Council's Adams Art Program, Acme Studios International Residencies Program, American Airlines, Art New England, the Art Institute of Boston at Lesley University, Art Papers, Artistay, ArtSpan, Asian Cultural Council, BerkshireFineArts.com, Boston College, Boston Cultural Council, Boston University's College of Fine Arts, Canvas Fine Arts, Consulate General of France (Boston) , Consulate General of Israel to New England, Royal Danish Consulate (NY), Délégation du Québec à Boston, Emmanuel College, the French Cultural Center (Boston), the Goethe Institut Boston, Hallspace Gallery, I-Park Artists Residency Program, Cankiri Karatekin Universetsi (Turkey), Koç University (Turkey), Richard Lappin and Julia Rabkin, the Massachusetts College of Art and Design, Mercantile Bank and Trust, MIT Program in Art, Culture and Technology, Northeastern University, Radcliffe Institute for Advanced Studies, Royal Danish Consulate General (New York), Studio Art Centers International (SACI), the School of the Museum of Fine Arts, Boston and the Swedish Embassy in Washington D.C. and the Zamir Chorale for their sponsorship as well as the Alliance of Artists Communities, the Boston Public Library, Edwards, Angell, Palmer & Dodge, LLP, the Harding House, the Irving House at Harvard, over, under, the Point Way Inn, the Rookwood Inn, swissnex Boston, Consulate of Switzerland, and the University of Massachusetts, Amherst's Hampden and Central Gallery for their in-kind support.

Past Attendee Reviews
Link to Success Stories

"I came away from the conference with scores of new ideas about what it can look like to be an artist... developing new ideas, and creating new opportunities for collaboration and exhibition."

"As a former conference producer, I know what it takes to create an event of such complexity and magnitude, and I applaud the excellence with which...[the conference] was conceived, organized, and executed."

"It was really amazing conference and I'm surprised how did you get all these people from all over the world together. Very IMPRESSIVE!"

"The idea of bringing these artists and minds from many corners of the world to offer of themselves and their organizations ways to share and make this a more enjoyable and livable world was very impressive and has fostered and encouraged my appetite to keep on making and sharing my art."

"It was highly stimulating to be in contact with so many people from around the US and the world!"

"This is one attendee that enjoyed all of the sessions that I could manage to physically attend."

"My experience of attending the TransCultural Exchange Conference as an artist and art educator was overwhelmingly positive. I received valuable information from attending all lectures by various speakers as well as excellent advice and feedback from each mentoring section."

"You succeeded in creating 'the' very international meeting of residences with this second issue of "international opportunities for artists!" This is the kind of events I wouldn't like to miss in the future – not only for the panel discussions, but also for the many informal conversations I could have with colleagues, artists and actors of the international art scene."

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