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Images from The Fugue. Photo credit: Florian Grond.

Delay
Sonification and Speakers: Florian Grond
Dimensions Variable.
Central Element: 16’ (adjustable) x 2’ x 2’; 5 speakers: 1’x1’x3” each + spotlight
AC and DC motors, aluminum, oil on wood, microprocessors, circuitry, foam core, transducers
2014/2015 (remounting/circuitry redesigned to be floor mounted)

Exhibition Venues
International Digital Art Biennial (BIAN)/Oboro, Montreal, Canada (April 2016)
Galleri KiT, Norwegian University of Science and Technology, Trondheim, Norway (Curator: Regina Moeller), 2014
http://www.kit.ntnu.no/en/content/delay-exhibition-opening-talk-mary-sherman-florian-grond

Papers
Ripples: What Artists Bring to the Community, The Kansai International Symposium: Cultural Crossroads = A.I.R., Yonago Convention Center, Yonago, Japan, November 28, 2015.

Audifying Painting: Hybrid Curatorial Practices for Sound Art presented at the Histories, Theories and Practices of Sound Art Curating Conference; Goldsmiths, University of London and the Courtauld Institute of Art; May 15-17, 2014.

Sound, Images and Data: All Dressed up and Ready to Go (keynote presentation) at the Sound, Images and Data Conference, New York University, New York; July 23-25, 2015

Awards/Honors
Included in Creative Capital's 2013, 2014 and 2015 On Our Radar, a searchable database featuring noteworthy Moving Image and Visual Arts projects.

Related Talks
Painting: In Praise of Frozen Sound, Université du Québec à Montréal, Montreal, Canada

Related Workshops
Delay, Norwegian University of Science and Technology, Trondheim, Norway, November 2014 http://www.kit.ntnu.no/en/content/delay-workshop-mary-sherman-and-florian-grond

Bibliography
ETC MEDIA108, Dans les internets/Inside the Internet, “Delay (2012) de Mary Sherman You l’audification du regard,”p. 9, June-September 2016, by Abenavoli, Lorella.

Leonardo Electronic Almanac/MIT Press, Mary Sherman: What if You Could Hear a Painting, November 2016, by Lanfranco Aceti.

Zeitschrift für Neue Musik, “Forschen mit den Ohren,” p. 65-66, November 2015, by Anna Beerlink.

  

© Copyright 2015 Mary Sherman - All rights reserved.